Enri and I first connected over three years ago, when I came across his rings and instantly fell in love with his style. We finally met in person last September, during my trip to Paris to visit several shows. It was such a joy not only to meet Enri face to face, but also to try on all his stunning rings! What I love most about his work is how completely genderless it is. Every piece can be worn by anyone, regardless of gender — something that's still quite rare in the jewelry world. I’m also drawn to the raw aesthetic and the beautiful blend of silver and gold in his pieces. Honestly, I have yet to see a single ring of his that I don’t like. Enri has been showcasing his work both in Europe and the US, and I’m so happy to support such a talented and dedicated young artist. As many of you saw, I recently celebrated the 5th anniversary of my page by sharing 40 of the most liked and viewed rings — and Enri was the only artist featured twice in that selection! One exciting project on the horizon is Enri’s upcoming visual art book, and I’m thrilled that he’s invited me to interview him for it — of course I said yes! I truly love collaborating with artists who share my passion and whose work I admire deeply. ENRI MARS My journey into the world of jewelry didn’t begin in a glamorous showroom or with a grand plan. It started quietly, around 2017, in a small jewelry workshop in my hometown, Imola. I was drawn in by the raw beauty of metal, by the silence of concentration, and by the idea that imperfection could be art. There, I learned traditional techniques hands-on, messy, and real. The one that fascinated me most was lost-wax casting. It felt like alchemy: sculpting something in wax, then transforming it into metal.  That process mirrored how I was shaping myself turning ideas into something tangible.   When I work with wax, time disappears. Hours pass and I don’t even notice. In those moments, I wouldn’t want to be anywhere else. It’s an intimate space—just me, the material, and a kind of silence that clears everything away. It disconnects me from the noise of the world and empties my mind of everything unnecessary. That act of shaping, carving, adjusting—it’s more than craft. It’s meditation. It’s the purest part of what I do.   Eventually, I founded Enri Mars, a project deeply rooted in my vision and instincts. Inspired by Wabi-Sabi, I embraced imperfection, erosion, and asymmetry. I chose to work only with precious metals like silver, gold, and diamonds, not because they’re luxurious, but because they carry weight, memory, and permanence.   Each piece I create reflects a moment, a thought, a fragment of who I am. I’m not trying to follow trends or please everyone. I create for those who feel different, who see beauty in what’s raw and unpolished.   Today, my pieces are available internationally, but I still make them the same way by hand, one by one. My upcoming collection continues this evolution, exploring rare stones and deeper contrasts.   Choosing an Enri Mars piece isn’t just about wearing jewelry, is a statement. It’s about embracing individuality, brutalism, and luxury in their most sincere form. @enrimars

I first discovered Deborah’s work on a jewelry Instagram page back in February 2024, and her pieces immediately captivated me. A few months later, we reconnected during an interview I did with Jonathan Wahl , director of the Jewelry Center at the 92nd Street Y. Deborah was actually there for the conversation—and afterward, she surprised me by revealing she’s a teacher at the Center! That felt like such a special moment. Later that year, our paths crossed again when I was invited to curate the Discover program for @nycjewelryweek. Deborah was among the many talented artists who applied, and of course, with her stunning work, she was invited to participate. You can still see her pieces featured on the DISCOVER page. This is her story! DEBORAH MEYERS Deborah Meyers weaves ancient craftsmanship into a distinctly contemporary vision of jewelry. Her work is a thoughtful balance of past and present—oxidized mixed metals, delicate gemstones, and raw textures meet the timeless glow of 22-carat gold. Each piece carries echoes of the Etruscans and Egyptians, whose jewelry she has studied for decades, and reflects her deep knowledge as a trained goldsmith. What sets Meyers apart is her ability to let each material shine in its own right—the sinuous curves of a Keshi pearl, the raw grit of oxidized sterling, the layered warmth of an agate slice, the yielding richness of gold. She brings these elements into conversation, and in doing so, creates something entirely new. Sometimes the effect is jaggedly romantic, other times light and whimsical, but always rooted in a powerful blend of delicacy and strength—a quiet mirror to the individuality of the wearer. These tactile contrasts—of patina, texture, shine, and form—give her work the feeling of something both ancient and alive. Each piece is more than adornment; it's a personal gesture of love, celebration, and presence. A handmade story unfolds with every design—rooted in history, made for now. @deborahmeyers_experience

Since launching the fancythisrings  website (and blog) in October 2024, I’ve had the pleasure of connecting with so many wonderful people—some who sign up for my occasional newsletters, and others who reach out directly to share their work. The site has become an exciting new platform for discovering and speaking with more artists, and that’s been truly incredible. One of those connections was Paola, the founder of Atelier Mythique. She initially reached out through the website, and we quickly continued the conversation over on Instagram—so much more practical than email! When I saw her whimsical, charming, and unique pieces, and learned she had just launched her brand and first collection, I was immediately intrigued. I invited her to share her story here, and I think it’s a perfect fit. There’s nothing more inspiring than seeing someone leave a successful career—in Paola’s case, advertising (same as me!)—to start an entirely new adventure in pursuit of a dream. It’s bold, it’s admirable, and it’s fascinating. And as if that wasn’t serendipitous enough, Paola is also Canadian (as well as Lebanese) —Canada holds a special place in my heart, having lived in Toronto for four years and made lifelong friends there. Now, let’s dive into Paola’s dream! ATELIER MYTHIQUE - paola mounla Atelier Mythique is truly where my passions for sculpture and jewelry design come together. My name is Paola Mounla, I am Lebanese and Canadian, now based in NYC, I'm the designer, sculptor, and owner behind the brand. The name, Atelier Mythique, is a nod to the timeless magic of mythology that constantly sparks my creativity. You know, the thought of beautiful jewelry just sitting tucked away in a jewelry box always felt a little sad to me. For me, jewelry is art, and it deserves to be seen, even when we're not wearing it. That's the idea behind my work: each piece is designed to be not only a captivating piece of jewelry that you'll love to wear, but also a little sculpture you can display and enjoy. In my atelier, I bring to life these enchanting mythical creatures – majestic dragons, graceful unicorns, swift flying cheetahs – each one meticulously crafted with intricate detail so it can seamlessly go from adorning you to being a little work of art on its own. I also love to add a touch of whimsy, maybe a necklace that rotates to reveal a hidden detail, or a hair tie with a delightful moving part. Ultimately, with Atelier Mythique, I want to invite you to see jewelry in a new light – as wearable art that ignites your imagination and brings wonder into your life and your space. Here's a fun fact about me, this whole adventure is actually pretty new! I officially launched just two months ago, which is a big change for me. For the past 18 years, I was a creative director in the advertising world – quite different, right? But my love for jewelry has always been there, a constant spark, ignited by my mom and grandma that always wore the most delicate and intricate jewels. So, about two years ago, I decided to really go for it, diving deep into studying jewelry design and even studying for my gemology certification at the GIA. All that learning and creating has led to the collection you see today and the exciting launch of Atelier Mythique. So when Eliane reached out to invite me to be on artist's spotlight , I was like pinch me now! Looking ahead, I'm so excited about what's coming up for Atelier Mythique. I was recently selected to exhibit at the Artistar Jewels event during Milan Jewelry Week this October, which feels like a dream come true for a brand that only launched 2 months ago – a chance to share my vision on an international stage. And closer to home, starting June 1st, you'll be able to find my collection at the amazing Flying Solo store in Soho, NYC, which is such a fantastic opportunity to connect with a new audience. Plus, I'm already working on a brand new collection inspired by more enchanting tales, so stay tuned for more wearable art coming soon! I hope my story inspires anyone looking to change careers! I say go, go, go, and have fun along the way.  la dragonne la dragonne gives the best hugs! la licorne la cheetah la dragonne and her precious earphones @ateliermythique

Perfect imperfection — mended, not broken. This idea holds deep meaning for me, as my aesthetic has always leaned toward pieces that aren’t necessarily flawless or polished, but carry a certain roughness. That roughness often speaks of a story, a sense of intention — as most things made with purpose do. I haven’t known George for long, but his rings immediately caught my eye a few months ago. I was drawn not only to the beauty of his jewelry, but also to his philosophy — his way of seeing the world and translating it into art. After all, kintsugi  is about more than repair — it’s about embracing imperfection and impermanence, finding beauty in flaws, and understanding that brokenness can lead to transformation, even to something more beautiful than before. I am so pleased to share his work and also his story today!   GEORGE INAKI ROOT My journey into the world of jewelry has been filled with ups and downs—every challenge a lesson, every mistake a turning point. I didn’t come from a design background, and I had to learn everything by doing. In a world saturated with trends, noise, and sameness, it took time—and a lot of humility—for me to find my own voice. What started as a creative leap turned into something much deeper: a personal philosophy, a cultural mission, and a way to connect with people through meaning, not just beauty. Jewelry became my medium, but intention is my material .  That’s how Milamore and my identity as a Kintsugi Philosopher were born. My references will always be rooted in Japanese culture—especially the philosophy of Kintsugi. I’m deeply inspired by the idea that you can   repair yourself—physically, emotionally, and spiritually—with your own hands. That belief shapes everything I create. That’s why I designed my Kintsugi rings with the concept that when you wear them, you’re being mended—both symbolically and physically—through the jewelry itself. At the same time, traveling the world and being exposed to diverse cultures continues to influence my aesthetic and style, adding layers to my work while keeping the core philosophy intact. Milamore is a reflection of that balance—Japanese at its foundation, but globally evolved. I currently have my flagship store in Tokyo, designed to feel like you’re shopping in my own apartment in New York City—personal, intimate, and filled with intention. In the future, I’d love to design a space that goes beyond retail—an ambiance where clients feel calm, seen, and connected to the energy of the brand. A place that carries the vibration of Milamore, infused with the aesthetics of Wabi-Sabi—quiet elegance, imperfection, and soul. For me, it’s not just about selling jewelry. It’s about creating an emotional experience—one rooted in presence, beauty, and philosophy. @georgerootnyc

It’s been three years since I first laid eyes on one of Clio’s extraordinary creations—and of course, I had to share it. I haven’t stopped sharing her work since. Her pieces are not only strikingly unique (the chameleon ring pictured above, for instance, features a mechanism that makes its tongue move!), but true treasures adorned with precious stones—many of which Clio mines herself. That alone is an incredible feat. Over the years, we’ve stayed in touch, and more recently, the chance to finally meet her in person came up—and I wouldn’t have missed it for the world. I had seen teasers for an upcoming exhibit in London and assumed it would take place in December, which aligned perfectly with a trip I had planned for studio visits and events. But when I spoke to Clio, I found out it was actually happening in November—I was crushed. Luckily, Clio, being the generous soul she is, invited me to visit her at her studio at the Goldsmiths’ Centre. And she went even further—arranging meetings with other remarkable artists too! I was beyond thrilled. It was my first time stepping into a jewelry artist’s studio. We had the most wonderful conversation. I tried on her stunning pieces, and it felt like stepping into another world.  We spoke about her inspirations, how deeply she researches each idea before it becomes a tangible piece, and about her mine in Australia. It was a joyful, unforgettable morning! Clio’s journey is nothing short of inspiring, and to me, she has carved out a unique space with her whimsical, precious creations that feel like something out of a dream. I can’t wait to see where her next adventure takes her—I just know it’s going to be something magical.   CLIO SASKIA My career into jewelry, as with many in the industry, was indirect and unexpected. I have always been - at heart - a deeply creative and curious person, which led me to study sculpture at University of the Arts London. My final year focused on concepts and perceptions of beauty. Deeply rooted within this is the subject of adornment, representing both beauty and status in a wide variety of cultures, and a form of personal expression that I have continued to find utterly fascinating. After graduating I developed my technical making skills before my curiosity took me to the Australian Gemfields in 2015. I spent a year digging around for sapphires on a small mining claim in the outback, using only hand tools and ancient river maps. It was one of the hardest but also most rewarding years of my life, and I returned to London with a deep appreciation for the natural world and its minerals, ethical business practices - and an amazing little collection of sapphires. I launched my fine jewelry business, Clio Saskia, in 2019 after completing training at the British Academy of Jeweler and the Goldsmiths’ Centre. Since launching my wild and wonderful collection in the UK and USA, I have specialized in bespoke and custom work for clients all over the world. I adore working one-on-one with clients to create a dream piece of jewelry inspired by their personal history, interests and values. I view it very much as a collaboration and take great inspiration from getting to know them, and am thankful to be entrusted with bringing their vision to life. The natural world and realism are aesthetically deeply ingrained in work, and I spend hours studying tiny wing details on hummingbirds and octopus eyeballs to understand the inner workings and reasons for looking the way they do. I couldn’t live without frequent visits to the Natural History Museum archives or Chester Zoo’s conservation department. Even my ‘traditional’ solitaire rings or hoop earrings are infused with playful elements from nature, stone settings become fangs, earring hoops become tails, and I always use textures to bring the gold to life. Among my references are: Renée Lalique, Alexander Calder, David Attenborough, David Wiseman and  Iris Apfel.   My future plans are still taking shape, but I will be delving ever deeper into the natural ecosystems and habitats which inspire my work. Evolutionary relationships between flora and fauna, and symbiosis within these associations, are of particular interest to me at the moment. Darwin’s orchid and Darwin’s moth are a fantastic example - evolving perfectly alongside each other so only this single species can pollinate the other. I am also returning to bronze sculpting and stone carving to create larger sculptural works alongside my precious fine jewels. I am currently working on creating more colorful elements within my work using patination and carved stone. @cliosaskia

I first met Roy last year when he invited me to visit his stand at the Tranoï Show in Paris. It was a serendipitous moment—I was already planning a trip to the City of Lights to attend other events and catch up with friends. Roy is Scandinavian, like my father—the difference being that Roy is Danish while my dad is Swedish, but that’s just a fun detail since both languages are closely related, and largely mutually intelligible - add jewelry to that and we're a go! Back to my visit to Tranoi, as soon as I found Roy's stand, I was absolutely blown away by the stunning pieces he was showcasing. There’s such a difference between seeing jewelry online and experiencing it in person—picking it up, trying it on, feeling its weight and texture, and admiring the way it sparkles. I must say it was a huge treat to see his work up close and also talk to him about jewelry, his processes and inspirations. Roy’s work is completely my cup of tea. I’m drawn to imperfect perfection, rich textures, and bold, intricate statement pieces—and his designs capture all of that. His style strikes a rare balance of elegance, beauty, and strength. I honestly wish I could wear all of his rings—especially the chonky ones, which are my favorite! We’ve stayed in touch since that first meeting in Paris, and I’m so happy to have him share his story tod ay. Tack så mycket!   ROY KREJBERG - kundo jewels paris I am a graduate of the Danish Design Academy and have had a long career in fashion. Years ago, I relocated to Paris to take on the role of Design Director at the house of KENZO, where I worked closely with Kenzo Takada for a decade before launching my own fashion brand. Jewelry has always been a significant part of my creative expression alongside fashion, but it wasn't until 2022 that I decided to launch my jewelry brand. KUNDO JEWELS was born from my passion for ancient jewelry and the tribal art of African, Asian, and Indian subcultures, reinterpreted and designed for the modern world. Every piece is handcrafted, distinctive, and unique. The diamonds and other gemstones I use are natural and in their purest form ranging from raw and uncut to artisanally faceted without any chemical enhancements. My fascination with diamonds and other gemstones began years ago, during my first encounter with some old, exquisite royal jewels adorned with Golconda diamonds in India. The Golconda mines were the first known source of diamonds and remained an important site for many years. Some of the world's most famous diamonds, including the Koh-I-Noor and the Hope Diamond, were discovered there. It was the artistry of Indian craftsmen and cutters that laid the foundation for their enduring global allure. In my own work, I primarily use silver, occasionally accented with touches of gold. I find the silver color more beautiful, authentic, and understated than gold. I especially love how it tarnishes over time, taking on a deep, almost black hue that tells its own story. I'm not drawn to perfectly crafted, almost industrial-looking jewelry, it often lacks soul and a sense of history. I prefer pieces where you can see and feel the presence of the craftsmen's hands, with slight imperfections that add character. I divide my time between Paris and Jaipur, where I work closely with exceptionally skilled artisans in the atelier. These craftsmen use ancient techniques, many of which have long been forgotten, to bring each piece to life. I also spend a great deal of time researching and sourcing rare treasures, old and new, from gemstone and pearl dealers to incorporate into my designs. KUNDO JEWELS is today available in edgy, forward-thinking concept stores and jewelers around the world. @kundo_paris

here are the winners of the BAGUE EXTRAORDINAIRE AWARD , chosen by me among the over 130 artists/designers participating in the Cluster Jewellery Fair, which took place in London in December 2024. it was not an easy task and I must say that there were inumerous incredible rings and so much more! i will soon share interviews with the three artists on Instagram, so stay tuned. GRACE MIELL CARMEN VOLLEBERGH SANDRINE DIODATI

Janine reached out to me over three years ago, and I couldn’t be more grateful for the connection we’ve built since then. Her work is absolutely stunning, and her passion is truly inspiring. Over the years, we've bonded over our shared love of rings, cats, and so much more. I always enjoy following her adventures—she travels often, and I love "tagging along" virtually. Her Top Tip Tuesday  series is a gem (don’t miss it—it’s practically a public service), and of course, I’m constantly in awe of her beautiful cluster ombré rings and all the colorful pieces she creates. We’ve shared plenty of laughs, whether it’s over the occasional rude comments that show up on our pages, the frequent use of tweezers that comes with our age, or the delightful chaos our fur babies get into. It’s been a joy to support her, and I deeply appreciate the support she’s shown me in return. When my daughter traveled to South Africa last year, Janine kindly offered to welcome her for a studio visit—which, unfortunately, didn’t pan out due to timing. But next time, for sure! This self-proclaimed mermaid is fabulous, funny, and full of energy, and I’m so glad she’s sharing her story here today. JANINE BINNEMAN I have been an independent jewelry designer for nearly thirty years- I can’t believe it’s been that long! I am a qualified goldsmith and gemologist BUT it is a world that I fell into ALMOST by accident.   I took a gap year after school and ended up in Southern Italy as an au pair; I wanted to study Graphic Design and did my university portfolio whilst living in Italy- my inspiration was influenced by the opulence and colors of Italian Design- especially living on the Amalfi coast with its incredibly bright and beautiful Ceramics. The University loved my portfolio but decided I would be better suited to studying jewelry design and manufacture- and voilà! here I am!   I am obsessed with Colored gemstones and sharing the never-ending variety and array of these magical creations of Mother Nature is my passion – most of which I find myself from dealers or mines themselves all over the world. I will only source via transparent and ethical supply chains and if it’s a woman owned business, I get even more excited. One on my most treasured connections is with a group of Artisanal Women Miners in Kenya who I buy my Mermaid Sapphire rough from.   I am an inherently curious and excitable soul and being given an opportunity to explore and express someone’s story through the unique jewelry I create for them is both a passion and a privilege. My heart literally does star jumps. My design process leans into the connections I make with my clients, be it in an in-person design consultation or an online conversation and from there the magic begins – exploring the colors, the meanings, shapes and sizes of the stones that speak to the client. It’s an organic process and no two Janine Binneman multi-colored, cluster rings have ever (or will ever) be the same.   Some of the rings I create may include stones from a client’s inherited jewelry or I may source a specific focal gem for their cluster – either way, there is always a story to tell about each final piece. Importantly, the recipient will have been on the sourcing and design journey with me – I believe this is what makes each and every cluster so much more valuable to the wearer, they are deeply embedded in the process. I have clients choose stones according to their intentions, their children’s (or dogs) birth months, because ‘green is their good luck color’ and blue the color of their partner’s eyes. The important thing is that the story is theirs and theirs alone. @janinebinnemanjewellery

Armach 1ct Oval White Diamond Organic Engagement Signet Ring Ellis and I first connected on Instagram back in 2022 — I came across her work and was immediately captivated. Fast-forward a couple of years, and we reconnected through Clio Saskia , who had kindly invited me to meet her and other artists at the Goldsmiths' Centre in London (I was there in December for a few days of events and visits). Ellis is such a confident young woman with extraordinary talent and impeccable taste. It was an immense treat not only to meet her in person but also to be welcomed into her atelier, to try on her stunning pieces, and to dive into wonderful conversations about jewelry and creativity. I took several beautiful photos, which I shared both on Instagram and on the blog. It brought me so much joy when she accepted my invitation to be featured in the Spotlight — her deep passion for her heritage shines through all of her work. It has truly been a pleasure to stay in touch with her and to continue sharing her incredible artistry. ELLIS MHAIRI CAMERON I create sculptural gold & diamond jewelry, inspired by Scottish heritage. Originally from the Highlands of Scotland, I grew up surrounded by the seascape and mountains; places filled with history that feel primal and beautifully raw. These early experiences formed my love for imperfect beauty, erosion, and began my research into topophilia*; the term for a bond with one's environment - a person's mental, emotional, and cognitive ties to a place.   In terms of my journey into jewelry, I initially moved from the Scottish Highlands to Glasgow in 2010 to take up a place on an art foundation course. I initially applied with an intent to study sculpture or painting, but discovered jewelry and fell in love with its potential. For me, jewelry encompassed a little bit of everything; I could collage and paint in design sketchbooks, before moving into small scale three-dimensional ''sculpture'', through creating jewelry. I then went on to learn technical skills through a BA in Jewelry & Silversmithing at The Glasgow School of Art, before moving to London in 2015, to study for a Masters in Jewelry Design at Central Saint Martins.  I launched my jewelry brand in 2018, with a desire to create jewelry inspired by my heritage, a belief in the beauty of imperfections, hand craftsmanship and to provide clients with jewelry to be handed down the generations. Today in 2025, my team and myself are based in a by appointment studio at The Goldsmiths Centre, London. Stockists such as Twist and Liberty London now sell my work internationally and I have been lucky enough to be featured in articles and photoshoots in publications such as VOGUE, Financial Times HTSI, Sunday Times Style & FORBES.  In terms of upcoming events, we show twice a year at Melee in NYC and in August we also travel for trunk shows at our stockist Esqueleto - this year we will be travelling to all four Esqueleto locations; NYC, LA, Mill Valley & Oakland.  I am currently working on a new collection of work, to launch August 2025. In March 2024, The Goldsmiths Company awarded me a Large Bursary Grant to continue my engraving studies, so I am really enjoying this process of bringing new techniques into my work. April - June is normally my design development time, so this is always an exciting time for research for me.  Armach Diamond Eternity Ring Armach Diamond Eternity Ring Armach Diamond Eternity Ring @ellismhairicameron

Time truly flies! I first spoke with Marion back in 2022 when she reached out to share her work with me. From the beginning, she was warm, enthusiastic, and incredibly kind. Her pieces instantly stood out—there’s something unmistakably “Marion” about them. She has a bold approach to design, blending metals, stones, and unexpected shapes in a way that feels both fresh and personal. I’ve really enjoyed watching her creative journey evolve, and I’m so happy to have played even a small part in helping her share her work with a wider audience. It’s always a joy to support artists who create with such sincerity and dedication. You can feel the love and intention behind every piece—and that kind of authenticity is something worth celebrating. MARION STERNER It’s a bit like falling in love: an idea takes hold—you try to bring it to life, discover how to make it real, and then finally see it materialize before your eyes. That feeling, I believe, lies at the heart of every creative process. In my professional life, I develop innovative processes for the paper industry. It’s an interesting and international field, but progress moves slowly—it can take years for a new idea to reach the market. I longed for something more immediate, something that allowed me to express emotions and ideas with my own hands, to work with tangible materials, and to experience the emotional impact of a finished piece—first on myself, and then on others. That’s when I realized jewelry was the right path for me. Like anyone, I find inspiration in the world around me, and sometimes an image or concept forms so vividly in my mind that I feel compelled to make it real—something wearable, infused with all the passion of that exact moment. For me, this is a personal luxury: the joy of creation, the uniqueness of expression, and the hope that the future wearer feels that same spark. I was born in Germany, where I studied interior architecture. Later, I moved to Venice, Italy, to pursue a postgraduate degree in architecture—an experience that deeply shaped my creative journey. @marion_sterner_bijoux