Jessica and I started talking about four years ago… about knots! I had been following her account (her rings completely knocked my socks off), and one day, she shared an image in her Stories of tangled chains. I absolutely love undoing knots—yes, I know, a bit weird! That moment sparked our connection. :) Since then, I’ve shared many of her stunning rings, and we’ve stayed in touch, exchanging thoughts on jewelry, life, and the challenges of navigating an often unfair world. I deeply admire Jessica’s work—her extensive studies, her relentless pursuit of beauty, and her unwavering dedication to her craft. But beyond that, it’s her powerful and determined attitude that truly sets her apart. To me, that’s what defines a successful and noteworthy artist. It’s not easy, but it is  completely possible—and Jessica is living proof of that! JESSICA PASS Since launching my business in 2018, I have become known for my bold statement pieces inspired by the natural world. My work draws on the Victorian era and its many fascinations. The Victorians had a penchant for intricate trinkets and jewelry with hidden meaning. They collected insect specimens and other natural treasures, displaying them in Curios Cabinets—ornate showcases of the rare and unusual. This avocation extended to jewelry, particularly after Napoleon’s conquest of Egypt in 1798, which sparked the Egyptian Revival. The trend saw an influx of scarab-set jewels, intricate Egyptian motifs, and the use of richly colored yellow gold. A renewed fascination followed the discovery of Tutankhamun’s tomb in the 1920s. Echoes of these influences can be seen throughout my collections - articulated pieces, scarab rings, and the striking contrast of rich gold against deep blue sapphires. The concept of Curios Cabinets remains central to my work, most recently reflected in my ‘Creatures of the Deep’ collection, which draws on the fascination with rare shells and coral specimens seen in early Curios Cabinets. Even the way I photograph my pieces is inspired by these historical displays. Over the years, I have refined my techniques and expanded my collections. My journey into jewelry making was driven by a deep love for hands-on craftsmanship rather than commercial ambitions. As a result, I have focused on private commissions and limited-edition designs rather than mass production. I currently work from my quiet studio in Fulham, accompanied by my dog Otto, where I can fully immerse myself in the creative process. Looking ahead, I aim to release a new collection each year while continuing to take on bespoke commissions. Commissioned work gives me the privilege of working with exquisite, high-end materials, which I deeply appreciate. In working with solid gold, I know I’m creating heirlooms that can be passed down for generations, often re working a client’s inherited stones so the sentimentality can live on. My recent trip to Jordan, and the breathtaking rock formations of Wadi Rum, left a lasting impression on me - I suspect these landscapes will influence my upcoming designs. What excites me most is large-scale, sculptural jewelry with a strong narrative. I love designing with a character in mind, bringing stories to life through form and texture. One of my future aspirations is to collaborate with the film industry in costume design. Cinematic projects allow for unrestrained creativity and dramatic, boundary-pushing designs. @erykahbadu wearing jessica pass jewelry photo by @sophographylondon for @i_d link to full article: HERE ON ID MAGAZINE

the thorn ring The first message Ian ever sent me dates back to 2021, when he wrote: “One day, I’ll make a ring that will get shown on your page.”  (he did! I shared his “Thorns” ring) And from that moment on, we never looked back! Over the years, I’ve had the privilege of sharing his incredible work and engaging in countless conversations. Ian has always been a steadfast supporter of my page, never missing a milestone. Beyond that, he has generously shared his unpublished creations, thoughts, aspirations, sketches, and designs with me—a true honor. This humble genius is a two-time AGTA Award winner and a finalist in the Tiffany & Co. Design Award. And, as fate would have it, our similar last names connect us even more—despite the small distinction of an extra ‘c’ in his! It’s a small world, indeed. I appreciate you, Ian! IAN DELUCCA I first sat at a jeweler’s bench when I was eight years old, but it wasn’t until my mid-twenties that I felt the true call to design. Since then, jewelry has become the pursuit of my life—an obsession that occupies every corner of my mind, every moment of the day. Through it, I will leave my mark on the world. Jewelry is how I express love. How I search for beauty. Like opera, painting, or poetry, it is both archaic and essential—a craft that predates the Internet, Instagram, and the modern world, yet endures because of its power to move us. But, for jewelry to live on, it must evolve. Carrying it into the future requires capturing new hearts and minds, building bridges through time, and breathing a new generation’s language into an enduring tradition. My journey took an unexpected turn when the first inquiry about my work came from Kim Jones at Dior. I had just released my debut piece—a tongue-in-cheek homage to Apple AirPods—when he reached out, asking to feature it in Harper’s Bazaar . From there, I found myself immersed in the fashion world, creating for Balenciaga, crafting models for Jean Paul Gaultier, and refining my voice. In 2023, my Thorns  ring—my first high jewelry piece—caught the attention of the traditional jewelry world, leading to collaborations with Sotheby’s and major houses. Now, as I develop two new collections, I find myself breathless at the possibilities. To bring these visions to life, I seek patronage—those who believe in jewelry as an art form and want to help carry this tradition forward for generations to come. I’ve learned that true innovation is never a solo endeavor. It is born from collaboration, shared passion, and unwavering dedication—the forces that transform something beautiful into something extraordinary. the original sketch - thorn ring the finished piece in all its glory the thorn ring - (diamonds—copper—gold) Study of a rose cutting, brooch (patinated copper, gold, tsavorite, brown diamond) the finished piece @iandelucca

My first conversations with Zanny began a few years ago when she started sharing her beautiful work with me. One of the first things she mentioned—and something I would later realize runs deeply through her artistry—was Aulë, a character from J.R.R. Tolkien’s Lord of the Rings . Zanny’s work is not only stunning but also rich with meaning, reflecting a profound connection to the earth, its metals, and its stones. She is deeply devoted to her family, proud of her heritage, and unafraid to stand firmly for what she believes in. Beyond jewelry, her creativity knows no bounds—she is also a weaver, an accomplished equestrian, and, quite enthusiastically, a face-taper (something I just might have to try myself!). Over the past four years, I have been truly inspired by her journey of self-awareness and growth, so much so that I recommended her work for the Discover program at NYC Jewelry Week (which is still live if you’d like to check it out!). More than just sharing jewelry, we’ve exchanged deep-rooted opinions, laughter, and even tears over issues that impact women around the world. It’s an honor to share her incredible story with all of you. ZANNY COX My journey into jewelry making began with gemstones. My family owned a gem and lapidary business, and I fondly remember visiting my great-grandfather’s home as a child, where the yard was filled with crystal specimens, dinosaur bones, and turquoise. He specialized in making jewelry, particularly bolo ties, using the stones he faceted. I was fortunate to grow up surrounded by the gem and mineral knowledge he shared with me, and although he lived to the age of 98, I only had the privilege of learning from him until I was 18.   The first pieces of handmade jewelry I owned were crafted by my great-grandfather, using stones from our family collection. At the time, I didn’t fully appreciate the skill and craftsmanship involved—until I picked up the tools he left me to begin my own metalsmithing journey. I started with the basics: sawing, hammering, and soldering, through an apprenticeship under an experienced jeweler. Through trial and error, I taught myself stone setting, casting, and forging. I’ve always been someone who learns best on my own, rather than in a classroom setting.   Over the years, I’ve noticed a preference for an ancient, artisanal aesthetic in my work. This inclination likely stems from my lifelong love of history—particularly the treasures of Ancient Egypt and Mexico, which I’ve poured over in books since childhood and still reference today.   I feel that I’m finally developing my signature aesthetic for my jewelry collection, one that integrates ancient techniques (which I’ve studied and taught myself), moody gemstones, and an organic, unearthed feel in each piece. My goal is to form meaningful connections with a select group of retail shops to showcase my work. I don’t envision myself building a massive brand; my true joy lies in the act of creation, and I never want to stray too far from the bench.   A quote by J.R.R. Tolkien perfectly captures my passion for jewelry making. He writes of the greatest metalsmith in the world of Arda: “But the delight and pride of Aulë is in the deed of making and in the thing made, and neither in possession nor in his own mastery; wherefore he gives and hoards not, and is free from care, passing ever on to some new work.” This sentiment resonates deeply with me and reflects my own approach to jewelry making: it’s about the joy of the craft and the process of creation. @estudiozanny

curadoria de anéis, artistas joalheiros novos ou estabelecidos, entrevistas, galeria de anéis fancythisrings welcome, everyone. curatorship this is one of the things I absolutely love to do nyc jewelry week In August 2024, I had the incredible honor of being invited by Bella Neyman and Chantel Gushue to curate the latest round of DISCOVER applications. Artists from all over the world apply for the chance to showcase their work on this amazing platform, and I was absolutely thrilled to be part of the selection process. Curating was both a rewarding and humbling experience—I fully understood the weight of the responsibility, and it was no easy task to make final decisions. One piece of advice for those considering applying: make sure your Instagram is cohesive and professional, your photos are high-quality, your website is engaging and easy to navigate, and most importantly, keep an eye on your inbox for updates. The DISCOVER page, featuring all the selected artists, officially launched on November 18, 2024, in celebration of the first day of NYCJW24. london calling! London was incredible! I’ve shared all about AURIC, the CLUSTERJEWELLERY fair, my visits to the Goldsmiths’ Centre and Kasun—everything’s up on the blog. There are dedicated posts where I dive into the events and visits in detail, with plenty of photos to bring it all to life. an important update: I’m thrilled to share that I’ve been invited by the Head Curator of CLUSTERJEWELLERY to continue our partnership—which means the BAGUE EXTRAORDINAIRE award lives on! I’ll be selecting the next recipients at each upcoming fair, and I couldn’t be happier! salut les garçons magazine rédactrice & brand content interviews with extraordinary artists, connaisseurs, bloggers and, of course, filled with lots of rings. issues #4 is sold out, but you can still find issues #5, #6,and #7 at Palais de Tokyo (among other venues). the latest issue, #8, where i interviewed Teresa Kiplinger and Roy Krejberg is already available! collaboration

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the story behind fancythisrings & eliane about fancythisrings @fancythisrings was created in 2020, right in the midst of the pandemic. Eliane has always had a deep love for rings, and on a whim, she decided to start a page dedicated to them. With no prior experience, she simply took the leap—and never looked back! Fast forward five years, and @fancythisrings has grown into a thriving community that Eliane couldn’t be more grateful for. Connecting with and meeting so many incredible people has been a true privilege, and it’s something she looks forward to every single day. She takes pride in having built what can only be described as a ‘digital gallery’—featuring over 5,250 rings (and counting)—while fostering a positive, inspiring space for all. Beyond curating stunning pieces, her greatest joy lies in showcasing emerging talent and championing independent artists. about eliane Eliane de Luca Peres was born in São Paulo, Brazil, and has lived in Sweden, Panama, and Canada. She currently resides in the south of France, in La Ville Rose—Toulouse. With extensive experience in Communications and PR, Eliane has worked with some of the most prestigious advertising agencies in São Paulo, including Ogilvy & Mather, McCann-Erickson, DDB, and Leo Burnett. Alongside her advertising career, she has nurtured a lifelong passion for bold, extravagant, and audacious jewelry—particularly rings. Today, when she’s not hunting for unique rings, Eliane works as an English and Spanish tutor for children and teens, translates for the Brazilian advertising market, and writes a regular column for the Paris-based magazine Salut les Garçons.