It’s been three years since I first laid eyes on one of Clio’s extraordinary creations—and of course, I had to share it. I haven’t stopped sharing her work since. Her pieces are not only strikingly unique (the chameleon ring pictured above, for instance, features a mechanism that makes its tongue move!), but true treasures adorned with precious stones—many of which Clio mines herself. That alone is an incredible feat. Over the years, we’ve stayed in touch, and more recently, the chance to finally meet her in person came up—and I wouldn’t have missed it for the world. I had seen teasers for an upcoming exhibit in London and assumed it would take place in December, which aligned perfectly with a trip I had planned for studio visits and events. But when I spoke to Clio, I found out it was actually happening in November—I was crushed. Luckily, Clio, being the generous soul she is, invited me to visit her at her studio at the Goldsmiths’ Centre. And she went even further—arranging meetings with other remarkable artists too! I was beyond thrilled. It was my first time stepping into a jewelry artist’s studio. We had the most wonderful conversation. I tried on her stunning pieces, and it felt like stepping into another world.  We spoke about her inspirations, how deeply she researches each idea before it becomes a tangible piece, and about her mine in Australia. It was a joyful, unforgettable morning! Clio’s journey is nothing short of inspiring, and to me, she has carved out a unique space with her whimsical, precious creations that feel like something out of a dream. I can’t wait to see where her next adventure takes her—I just know it’s going to be something magical.   CLIO SASKIA My career into jewelry, as with many in the industry, was indirect and unexpected. I have always been - at heart - a deeply creative and curious person, which led me to study sculpture at University of the Arts London. My final year focused on concepts and perceptions of beauty. Deeply rooted within this is the subject of adornment, representing both beauty and status in a wide variety of cultures, and a form of personal expression that I have continued to find utterly fascinating. After graduating I developed my technical making skills before my curiosity took me to the Australian Gemfields in 2015. I spent a year digging around for sapphires on a small mining claim in the outback, using only hand tools and ancient river maps. It was one of the hardest but also most rewarding years of my life, and I returned to London with a deep appreciation for the natural world and its minerals, ethical business practices - and an amazing little collection of sapphires. I launched my fine jewelry business, Clio Saskia, in 2019 after completing training at the British Academy of Jeweler and the Goldsmiths’ Centre. Since launching my wild and wonderful collection in the UK and USA, I have specialized in bespoke and custom work for clients all over the world. I adore working one-on-one with clients to create a dream piece of jewelry inspired by their personal history, interests and values. I view it very much as a collaboration and take great inspiration from getting to know them, and am thankful to be entrusted with bringing their vision to life. The natural world and realism are aesthetically deeply ingrained in work, and I spend hours studying tiny wing details on hummingbirds and octopus eyeballs to understand the inner workings and reasons for looking the way they do. I couldn’t live without frequent visits to the Natural History Museum archives or Chester Zoo’s conservation department. Even my ‘traditional’ solitaire rings or hoop earrings are infused with playful elements from nature, stone settings become fangs, earring hoops become tails, and I always use textures to bring the gold to life. Among my references are: Renée Lalique, Alexander Calder, David Attenborough, David Wiseman and  Iris Apfel.   My future plans are still taking shape, but I will be delving ever deeper into the natural ecosystems and habitats which inspire my work. Evolutionary relationships between flora and fauna, and symbiosis within these associations, are of particular interest to me at the moment. Darwin’s orchid and Darwin’s moth are a fantastic example - evolving perfectly alongside each other so only this single species can pollinate the other. I am also returning to bronze sculpting and stone carving to create larger sculptural works alongside my precious fine jewels. I am currently working on creating more colorful elements within my work using patination and carved stone. @cliosaskia

I first met Roy last year when he invited me to visit his stand at the Tranoï Show in Paris. It was a serendipitous moment—I was already planning a trip to the City of Lights to attend other events and catch up with friends. Roy is Scandinavian, like my father—the difference being that Roy is Danish while my dad is Swedish, but that’s just a fun detail since both languages are closely related, and largely mutually intelligible - add jewelry to that and we're a go! Back to my visit to Tranoi, as soon as I found Roy's stand, I was absolutely blown away by the stunning pieces he was showcasing. There’s such a difference between seeing jewelry online and experiencing it in person—picking it up, trying it on, feeling its weight and texture, and admiring the way it sparkles. I must say it was a huge treat to see his work up close and also talk to him about jewelry, his processes and inspirations. Roy’s work is completely my cup of tea. I’m drawn to imperfect perfection, rich textures, and bold, intricate statement pieces—and his designs capture all of that. His style strikes a rare balance of elegance, beauty, and strength. I honestly wish I could wear all of his rings—especially the chonky ones, which are my favorite! We’ve stayed in touch since that first meeting in Paris, and I’m so happy to have him share his story tod ay. Tack så mycket!   ROY KREJBERG - kundo jewels paris I am a graduate of the Danish Design Academy and have had a long career in fashion. Years ago, I relocated to Paris to take on the role of Design Director at the house of KENZO, where I worked closely with Kenzo Takada for a decade before launching my own fashion brand. Jewelry has always been a significant part of my creative expression alongside fashion, but it wasn't until 2022 that I decided to launch my jewelry brand. KUNDO JEWELS was born from my passion for ancient jewelry and the tribal art of African, Asian, and Indian subcultures, reinterpreted and designed for the modern world. Every piece is handcrafted, distinctive, and unique. The diamonds and other gemstones I use are natural and in their purest form ranging from raw and uncut to artisanally faceted without any chemical enhancements. My fascination with diamonds and other gemstones began years ago, during my first encounter with some old, exquisite royal jewels adorned with Golconda diamonds in India. The Golconda mines were the first known source of diamonds and remained an important site for many years. Some of the world's most famous diamonds, including the Koh-I-Noor and the Hope Diamond, were discovered there. It was the artistry of Indian craftsmen and cutters that laid the foundation for their enduring global allure. In my own work, I primarily use silver, occasionally accented with touches of gold. I find the silver color more beautiful, authentic, and understated than gold. I especially love how it tarnishes over time, taking on a deep, almost black hue that tells its own story. I'm not drawn to perfectly crafted, almost industrial-looking jewelry, it often lacks soul and a sense of history. I prefer pieces where you can see and feel the presence of the craftsmen's hands, with slight imperfections that add character. I divide my time between Paris and Jaipur, where I work closely with exceptionally skilled artisans in the atelier. These craftsmen use ancient techniques, many of which have long been forgotten, to bring each piece to life. I also spend a great deal of time researching and sourcing rare treasures, old and new, from gemstone and pearl dealers to incorporate into my designs. KUNDO JEWELS is today available in edgy, forward-thinking concept stores and jewelers around the world. @kundo_paris

here are the winners of the BAGUE EXTRAORDINAIRE AWARD , chosen by me among the over 130 artists/designers participating in the Cluster Jewellery Fair, which took place in London in December 2024. it was not an easy task and I must say that there were inumerous incredible rings and so much more! i will soon share interviews with the three artists on Instagram, so stay tuned. GRACE MIELL CARMEN VOLLEBERGH SANDRINE DIODATI

curadoria de anéis, artistas joalheiros novos ou estabelecidos, entrevistas, galeria de anéis fancythisrings welcome, everyone. GIVEAWAY - CLICK HERE! curatorship this is one of the things I absolutely love to do nyc jewelry week Last August, I had the incredible honor of being invited by Bella Neyman and Chantel Gushue to curate the latest round of DISCOVER applications. Artists from all over the world apply for the chance to showcase their work on this amazing platform, and I was absolutely thrilled to be part of the selection process. Curating was both a rewarding and humbling experience—I fully understood the weight of the responsibility, and it was no easy task to make final decisions. One piece of advice for those considering applying: make sure your Instagram is cohesive and professional, your photos are high-quality, your website is engaging and easy to navigate, and most importantly, keep an eye on your inbox for updates. The DISCOVER page, featuring all the selected artists, officially launched on November 18, in celebration of the first day of NYCJW24. Go take a look! london calling! London was incredible! I’ve shared all about AURIC, the CLUSTERJEWELLERY fair, my visits to the Goldsmiths’ Centre and Kasun—everything’s up on the blog. There are dedicated posts where I dive into the events and visits in detail, with plenty of photos to bring it all to life. an important update: I’m thrilled to share that I’ve been invited by the Head Curator of CLUSTERJEWELLERY to continue our partnership—which means the BAGUE EXTRAORDINAIRE award lives on! I’ll be selecting the next recipients at each upcoming fair, and I couldn’t be happier! salut les garçons magazine rédactrice & brand content interviews with extraordinary artists, connaisseurs, bloggers and, of course, filled with lots of rings. issue #4 is sold out, issue #5 is available at Palais de Tokyo (among other venues). issue #6 with marc alary and hayden peters is already available for purchase via KD PRESS. collaboration

the story behind fancythisrings & eliane about fancythisrings @fancythisrings was created in 2020, right in the midst of the pandemic. Eliane has always had a deep love for rings, and on a whim, she decided to start a page dedicated to them. With no prior experience, she simply took the leap—and never looked back! Fast forward five years, and @fancythisrings has grown into a thriving community that Eliane couldn’t be more grateful for. Connecting with and meeting so many incredible people has been a true privilege, and it’s something she looks forward to every single day. She takes pride in having built what can only be described as a ‘digital gallery’—featuring over 5,250 rings (and counting)—while fostering a positive, inspiring space for all. Beyond curating stunning pieces, her greatest joy lies in showcasing emerging talent and championing independent artists. about eliane Eliane de Luca Peres was born in São Paulo, Brazil, and has lived in Sweden, Panama, and Canada. She currently resides in the south of France, in La Ville Rose—Toulouse. With extensive experience in Communications and PR, Eliane has worked with some of the most prestigious advertising agencies in São Paulo, including Ogilvy & Mather, McCann-Erickson, DDB, and Leo Burnett. Alongside her advertising career, she has nurtured a lifelong passion for bold, extravagant, and audacious jewelry—particularly rings. Today, when she’s not hunting for unique rings, Eliane works as an English and Spanish tutor for children and teens, translates for the Brazilian advertising market, and writes a regular column for the Paris-based magazine Salut les Garçons.

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