Search this site

I discovered Taia’s work online a year ago, and to this day, I remain deeply impressed by her stunning creations. From the very beginning, it was clear how dedicated and passionate she is about her art. She has always been transparent about her use of AI, even when many chose to remain silent on the subject. The integration of AI in art continues to spark debate, yet Taia has consistently demonstrated both her expertise and undeniable talent. With confidence and clarity, she explains the technology to those who struggle—or refuse—to understand it. As someone just beginning to explore this field, I look forward to learning more. Art takes many forms, and creativity knows no boundaries—why should AI be any different? The key is honesty and education, helping others understand rather than fear innovation. What stands out most about Taia is her impeccable taste, her distinctive style, and her relentless work ethic. Not even the hardships of war have dampened her determination to create, despite the immense challenges she faces. It is an absolute pleasure to support her and to share her breathtaking work with others. TAIA TASMAN Eliane says: “Write about yourself in the jewelry business.” Haha. Turns out it’s much harder to talk about yourself than about someone else. But okay, I’ll give it a try — no fairy-tale philosophy this time, and no résumé. In 2016, I decided to create handmade jewelry. Naturally, I have to mention that creativity has been with me my whole life — otherwise, how else could I justify my amateurism? That’s it, all the romance ends here. For now, this journey still feels like swimming against the current. Jewelry as a business grew from my personal search for pieces I couldn’t find on the Ukrainian market. So, I started working with jewelers to bring my sketches and ideas to life, initially just for myself. Over time, I began offering some of my pieces for sale. I had no capital, no heirloom jewelry box from grandma, no special advantages or signs telling me it was the right time to start. On the contrary, I had a job in a completely different field and could only focus on jewelry when I switched to freelancing. In the beginning, my jewelry projects were funded by my salary and felt more like a hobby than a serious career path. That went on for several years. In 2019, I fully committed to jewelry. It became a time of careful experimentation in a minimalist, modern style. By 2021, my creative preferences were gradually evolving. But instead of blindly experimenting, I decided to pursue an arts education — I felt I needed a stronger foundation. While researching European universities with distance learning options and figuring out how to restructure my life around it, 2022 happened. And those plans never came to life. AI. If not for the circumstances, I probably wouldn’t have become so deeply invested in AI. A surge of new opportunities and tools appeared precisely during the war, at the same time I was struggling with worsening joint issues. Exploring new forms became both a psychological escape and the only creative process that didn’t cause me pain or discomfort. Since I couldn’t engage in other activities like drawing or hands-on design work, I spent a lot of time experimenting with AI-generated concepts — and I truly enjoyed it. My clients reinforced this new approach. As priorities shifted, and the overall mood of design changed, I let go of my old brand name, ivi jewellery, and embraced Tasman Jewelry Design. Instead of traditional sketches or collages, I started creating 3D jewelry designs using AI. This made the process faster and more effective. Not everyone understands raw sketches or technical drawings, and many clients feel more confident when they see a detailed visual representation of their idea before production begins. The current reality, shifting priorities, and a reassessment of values have strongly influenced my style and creative vision. What I thought was important before 2022 may have lost its meaning entirely today, and vice versa. I’ve become bolder in trying new things. Of course, I have personal preferences, like any consumer, but a jewelry atelier is a different story — if I only showcased pieces I would personally wear, my collection would be much more limited. Instead, I present artistic jewelry — forms that resonate with me and that my team of professionals can bring to life. On Instagram, I sometimes share my thoughts and experiences in the jewelry field, emphasizing the diversity of my work and always reminding people that this is a jewelry atelier. To me, that means versatility and creative freedom — no repetition, no routine. I want to create different pieces in different styles. Every client comes with a unique vision, and my job is to help bring it to life. A few facts: Since the war began, all my longtime and regular clients have continued to support me with orders, and new clients keep surprising me. I'm deeply grateful to everyone for their kindness, courage, and trust during these times. So, for now, I just keep going and learning. As for future plans — well, in this country, making plans is nearly impossible. Let’s wait for the war to end. Maybe it’s not too far off. Then we’ll see. this is a render this is a render this is a render this is a render this is a real ring this is also a real ring @tasman_jewelry_design

One of the things I love most about having an Instagram page is the special connections I’ve made over the years. One such connection began about four years ago when I first got to know Rita—I shared one of her stunning creations, and we’ve been chatting online ever since. We almost met in person last year when I traveled to Paris for Goldrush , Tranoï , Curate , and the exhibition dedicated to rings at GalerieSophieetc (La Bague dans tous ses etats) where Rita’s work was on display. Unfortunately, our schedules didn’t align—but I’m sure it’s only a matter of time before we finally get to share a coffee! After a challenging period in which she fractured both wrists, Rita is back, and her new collection is on the way. I have no doubt it will be exceptional, comme d’habitude. Her designs are organic, extremely powerful, and vibrant—I’m a huge fan and proud to own two of her exquisite pieces (from the Rêverie and Divino Inferno Oxymoron collections). I wear them often and always receive so many compliments. It’s an honor! Here you can see just a few of her stunning rings, but I highly encourage you to visit her website and explore her phenomenal collections. RITA MARTÍNEZ Mine is a love story. I arrived in Italy with a suitcase full of books and a child in my arms, ready to embrace a new chapter. I pursued a master’s degree in intercultural conflict resolution with a specialization in journalism. However, upon completing it, I realized it wasn’t truly my calling. As a historian, restarting my academic journey from scratch felt daunting—my previous studies were not recognized. Like many who migrate, I experienced a sense of loss and the challenge of reinventing myself. It was neither easy nor always pleasant, but with perseverance and discipline, I managed to build a life in Italy while preserving the essence of my cultural roots. Becoming a jewelry artist was never part of my plan. Growing up in Latin America, I was taught that education was the key to a woman's freedom and financial independence. As a child, I dreamt of becoming a dancer, but my arrhythmic nature forced me to let go of that dream. I was also drawn to anthropology, yet studying it would have required moving to Mexico—a sacrifice I couldn’t make while supporting my mother and younger siblings. Instead, my love for reading led me to history. Now, through jewelry, I unconsciously channel my training as a historian. Research ignites an indescribable passion in me—it gives me butterflies. Jewelry is not just a medium for artistic expression; it is the crystallization of a personal vision. More than a creative outlet, it is an intense, full-time pursuit. I dedicate 8 to 12 hours a day to my craft—it is anything but a simple hobby. Each piece I create presents a challenge: transforming my research into tangible form, experimenting with diverse materials and techniques while maintaining originality and personal style. Another ongoing challenge is balancing my deep, exploratory research with the practical demands of clients, galleries, museums, and retailers. Currently, I am working on a new collection for Autor 2025  in Bucharest this May and hope to return to Contemporania 2025  in Barcelona this October—this time with a different spirit. Last year’s participation was a personal challenge, as I was recovering from the fracture of both wrists. The journey has been demanding, but every obstacle has reinforced my determination. @ritamartinezjewelry

I first came across Monika’s work on Instagram back in 2020 when I had just launched my page. At the time, I had no more than 100 followers, but I shared one of her rings—and, to my surprise, she immediately reached out to thank me and started following my page. As my page grew, so did my admiration for Monika’s work. Over the years, we’ve stayed in touch, exchanging ideas and supporting each other. She has shared many of her stunning pieces with me, and because I love her style and vision, I’ve been more than happy to share them with others. It’s rare to maintain an online connection for five years, but our relationship has lasted thanks to mutual respect and a shared passion for jewelry. Recently, I nominated Monika’s work for the DISCOVER program at NYC Jewelry Week because her creations deserve to be seen. Beyond their unique beauty, her jewellery reflects a deeper story—one of dedication, craftsmanship, and an endless pursuit of innovation. Monika is a true one-woman powerhouse, and I can’t wait to see where her journey takes her next. MONIKA SEITTER I learned jewelry making from scratch, first training as a goldsmith before completing a master’s degree in product design. From the beginning, I have had a strong drive to bring my own ideas to life. This passion led me to start my own business while still studying, dedicating time to researching and experimenting with ways to bring my collection to reality. My goal has always been to introduce color into jewelry in a way that goes beyond traditional colored stones. I have explored and tested countless materials—an exciting yet challenging process—since only a select few meet the standards required for jewelry collections in terms of durability, skin compatibility, functionality, aesthetics, and ergonomics. Jewelry is a beautiful fusion of craftsmanship, design, originality, and carefully chosen materials. I find it fascinating how so many essential design principles can be encapsulated in a small piece, like a ring—my personal favorite. One of the biggest challenges today is finding the right marketplace. Over the past decade, many exceptional jewelry shops have disappeared, and there aren’t enough new ones that truly appreciate unique, handcrafted pieces. As a result, I have chosen to focus more on one-of-a-kind jewelry. Producing mass-market jewelry at consistent quality and pricing is becoming increasingly difficult, especially with the ever-rising cost of materials. For these reasons, my future jewelry collections will consist more and more of exclusive, individually crafted pieces made from carefully selected materials. Each piece will be unique—just like the people who wear them.

Sometimes, life presents unexpected opportunities—and I, for one, always try to stay open to these little ‘unicorns’ when they appear. One such moment arrived simply because I dared to ask. Yes, dared —because you never really know how things will turn out. But I'm an incorrigible optimist, so I went for it: I invited renowned jewelry artist Philip Sajet to be featured in my Artist’s Spotlight. As it turns out, boldness and positivity do pay off. Not only did he accept, but he also generously shared an extraordinary collection of his thoughts and works with me—archives reaching back to 1981. I was deeply honored to read through this treasure trove and to select the pieces that resonated with me most. We connected over FaceTime, exchanged stories, and I must say—Philip is an absolute delight. He’s witty, warm, and incredibly generous. I've admired his work for years, never imagining that one day we’d be chatting like old friends, let alone collaborating. And speaking of collaboration—the best part is still under wraps. While I can’t reveal the details just yet, I’m thrilled to share that Philip has invited me to join him on a very special project. It’s an incredible honor, and I can’t wait to tell you more when the time comes. In the meantime, I invite you to enjoy some of Philip’s reflections—his words of wisdom, aphorisms, and heartfelt advice for young creators. PHILIP SAJET My name is Philip Sajet, and I create Contemporary Classical Jewelry—one-of-a-kind pieces that bridge time and culture."Contemporary" because my work responds to the present moment we live in."Classical" because I strive to craft jewelry with a timeless, borderless quality—pieces that can be appreciated across cultures and eras. That said, I also allow myself the freedom to stray from this path, playfully and with pleasure. My aim is to speak in a visual, international language—open and unopinionated—and I hope that, in some way, I succeed. These are wearable works: rings, necklaces, and earrings—pieces designed to touch the body, to connect with the skin. I have been making jewelry since 1978. After graduating from the Gerrit Rietveld Academie in Amsterdam in 1981, and navigating four years of creative confusion, I held my first solo exhibition at Galerie Louise Smit in Amsterdam. Since then, my journey has continued—first within the Netherlands, and later on, internationally—through continuous work and exhibitions. As for the future, I will be giving a workshop in Art Up Bucharest Jewelry school from May 5th  until the 9th . HOLY SACRILEGE AND OTHER APHORISMS/THOUGHTS “Religious ceremonies are actions which one undertakes without the prospect of financial gain. It's the act in itself, which is the gain. This has a similarity to art, it is an enterprise which serves no gain. it should survive on donations, by those humble enough to realize that this is an action they can't undertake, by lack of time, energy or conviction. It is the responsibility of a class of people who have dedicated themselves to show the significance of life.”     “Jewelry. Consider it as a painting; don't consider it as a sculpture.”     “The power of the artist is that they control the process of creation: at first there was nothing, and then there was something".   “Advice to the young creator: You are insecure about your art. Our bases are all the same, if we strip ourselves of all the nature and nurture, back to the absolute basic of our being. If you can feel that, know that, then all you have to do is ask; "Why am I here? What is the purpose of this machinery that has been given to me?" So, the whole question is not to learn something but to unlearn a LOT. Then when you are back from where you came, you know you have to do something. If you can't, you look for guidance, until you don't need the guidance anymore, and you can become a guide yourself. Simple logic, agree? What is our task? Again simple, TO GROW, TO EXPAND. To become bigger, larger, the Universe has to expand. WHY? How the fuck do I know? All I know is that God, Gaia, Gabriel, Buddha, Allah, Adonai, Universal intelligence wants it. We each choose our medium, be joyful in material. Jewelry. Or be healthy, and help other people be healthy. What is your Key? You see? That is soul searching and that is fun. How would that translate into a personal, universal jewel? Why do I use broken red glass? Apparently, something broke somewhere. Why red? My mother’s favorite color. And blood and life. And the fire of life. Why rust? Rust in psychology stands for the deteriorating personality. Something I am apparently afraid of. Those are the ingredients. Now put them together and you have a nice dish. How to get to that key? Before you go to sleep, tell your brain to show it to you. Write down EVERY idea. The more "stupid" the better, that is a process you can do alone. (takes many years.) Or someone helps you, goes much faster. You are a child of God. Nothing you do with the intention of honesty and sincerity can be wrong. Impossible, once you have this trust, it's ok. There can be no insecurity anymore.”     “To give the material (gold specifically) the guarantee that it has found its final form. Rest and make changes no more.”     “Years from today in another culture maybe, I imagine a work of mine being found by a stranger.”   “To show the presence of light itself. Due to the absence of the Material. The residual space is available.”     “Actually, I don't have lot to say. I say the same thing all the time, but I do so in different languages (styles) then it looks as if I have a lot to say.”   @philipsajet

Smoky Quartz ring - Finalist Retailer Choice Awards Renata and I crossed paths through a page that showcases beautiful jewelry on Instagram. I came across one of her creations and felt compelled to share it. In response, she sent me the most thoughtful message of thanks and from that moment on, our conversations never stopped. Almost two years later, we've yet to meet in person, but our bond continues to grow. Renata, like me, is Brazilian, though she’s been living in the U.S. for many years. She visits home frequently, keeping a strong connection to her roots. What truly stands out about her is her unwavering commitment to creating ethical and stunning jewelry. Her belief in positivity and her ability to see the good in others is incredibly refreshing, especially in a world where many of us often struggle with self-doubt and skepticism toward others. She channels the energy of nature, cosmic forces, and her own boundless creativity into crafting jewelry that is not only beautiful but also deeply tactile. Her rings are phenomenal, but it’s her crocheted gold (or silver) pouches, adorned with crystals, gems, or pearls, that are simply out of this world—mesmerizing in their beauty. Renata has taken inspiration from her grandmother’s artisanal work and transformed it into a powerful amulet, a tangible connection to her heritage. Words can't capture how much her friendship means to me; she has become a significant part of my life, both personally and professionally. It is both a pleasure and an honor to share her work and a glimpse into her world with you today. RENATA CAMBAÚVA A Human Being, Being Human.  Awe Inspired and Ever Evolving.     Renata Cambaúva’s passion for non-traditional and raw gem jewelry shines through as she shares insights of the sacred geometry of life into her collections. Each piece, infused with Latin American influences and mystery, tells a story of connection, self-acceptance, and spiritual awakening. Renata Cambaúva’s journey, from her background in design and advertising in Brazil to her ethical sourcing practices, underscores her commitment to creating not just jewelry, but purposeful artifacts that inspire and empower.  Fostering community and embracing diversity, Renata envisions more than just a brand—it’s a movement toward self-discovery and collective growth. Join us as we delve into Renata Cambaúva’s world of beauty, valor, and integrity, where jewelry becomes a conduit for personal transformation and human connection. Renata's fine jewelry pieces tells a story of connection, spiritual awakening, transformation and ultimately self-acceptance, where the designer asks the wearer - “You are a human, a parent, a friend, a partner, a multitude of avatars, so why should your jewelry be only one thing?” Petite Elo Necklace Amethyst and Birthstone CASE Awards 1st place Third Eye + Heart Chakra Unity Ring Portal Ring in Amethyst Ascension Garnet Rhombus Ring Petite Elo Necklace African Duotone Tourmaline Finalist Retailer Choice awards INSTORE MAG @renata.cambauva

Barbara and I began talking back in 2021, when she was just graduating from FIT – the Fashion Institute of Technology – and transitioning into jewelry after working as a photographer. She wanted to share her work with me, and I found it instantly captivating—especially a delicate flask in the shape of a fish (pictured above) I loved it and remember thinking it would look incredible as a ring – I actually did give her the suggestion. Fast forward a couple of years, and we reconnected—Barbara had, in fact, transformed that very fish flask into a ring! Since then, her work has evolved remarkably. Her pieces all carry a whimsical, magical, and delicate style that feels both personal and enchanting. It’s always gratifying to witness an artist grow, find their voice, and create pieces that are truly pleasing to the eye. That’s exactly the case with Barbara—this exchange reflects not only her evolution as an artist, but also the connection I’ve felt to the work she’s created. Looking forward to much more! BARBARA SALINAS My name is Barbara Salinas and I am the designer and founder of the New York based brand BEA .  I’ve always been a natural artist. I studied at the International Center of Photography and the Fashion Institute of Technology in New York City. My artistic journey began with photography—capturing the beauty of the world through my lens. That experience opened my eyes to the intricate details and textures in everyday life, sparking a deep passion for creating something tangible. As I immersed myself in photography, I found myself increasingly drawn to making things with my hands. This shift led me to jewelry design—a natural evolution that allowed me to merge visual storytelling with the tactile joy of crafting unique, meaningful pieces. My creative path has also been deeply influenced by my father, a talented blacksmith artist. Growing up, I spent countless hours watching him transform raw metal into beautiful, expressive objects—each one a testament to his skill and imagination. That early exposure to metalwork shaped the way I approach jewelry: with an appreciation for craftsmanship, attention to detail, and emotional depth. For me, design is all about telling a story—one that the viewer can feel emotionally connected to. When someone sees a part of themselves reflected in a piece, that connection becomes powerful. My work is filled with symbolic elements that invite people in and resonate on a deeper level. Wearing jewelry that one identifies with is empowering. It’s a brave form of expression—a visual extension of the inner self, a wearable piece of the soul. Just before I enrolled in the jewelry design program at FIT, I bought a classic 1962 vintage Airstream and have been restoring it ever since. The Airstream has become a part of my story, too. My grandfather had a vintage camper, and I was always fascinated by it growing up. That memory stayed with me and eventually sparked the idea: what better way to share and sell my jewelry than from a beautifully restored vintage Airstream? It’s more than just a mobile studio—it’s a living, moving piece of my personal and creative journey. @beasalinas.art

Time truly flies! I first spoke with Marion back in 2022 when she reached out to share her work with me. From the beginning, she was warm, enthusiastic, and incredibly kind. Her pieces instantly stood out—there’s something unmistakably “Marion” about them. She has a bold approach to design, blending metals, stones, and unexpected shapes in a way that feels both fresh and personal. I’ve really enjoyed watching her creative journey evolve, and I’m so happy to have played even a small part in helping her share her work with a wider audience. It’s always a joy to support artists who create with such sincerity and dedication. You can feel the love and intention behind every piece—and that kind of authenticity is something worth celebrating. MARION STERNER It’s a bit like falling in love: an idea takes hold—you try to bring it to life, discover how to make it real, and then finally see it materialize before your eyes. That feeling, I believe, lies at the heart of every creative process. In my professional life, I develop innovative processes for the paper industry. It’s an interesting and international field, but progress moves slowly—it can take years for a new idea to reach the market. I longed for something more immediate, something that allowed me to express emotions and ideas with my own hands, to work with tangible materials, and to experience the emotional impact of a finished piece—first on myself, and then on others. That’s when I realized jewelry was the right path for me. Like anyone, I find inspiration in the world around me, and sometimes an image or concept forms so vividly in my mind that I feel compelled to make it real—something wearable, infused with all the passion of that exact moment. For me, this is a personal luxury: the joy of creation, the uniqueness of expression, and the hope that the future wearer feels that same spark. I was born in Germany, where I studied interior architecture. Later, I moved to Venice, Italy, to pursue a postgraduate degree in architecture—an experience that deeply shaped my creative journey. @marion_sterner_bijoux

Armach 1ct Oval White Diamond Organic Engagement Signet Ring Ellis and I first connected on Instagram back in 2022 — I came across her work and was immediately captivated. Fast-forward a couple of years, and we reconnected through Clio Saskia , who had kindly invited me to meet her and other artists at the Goldsmiths' Centre in London (I was there in December for a few days of events and visits). Ellis is such a confident young woman with extraordinary talent and impeccable taste. It was an immense treat not only to meet her in person but also to be welcomed into her atelier, to try on her stunning pieces, and to dive into wonderful conversations about jewelry and creativity. I took several beautiful photos, which I shared both on Instagram and on the blog. It brought me so much joy when she accepted my invitation to be featured in the Spotlight — her deep passion for her heritage shines through all of her work. It has truly been a pleasure to stay in touch with her and to continue sharing her incredible artistry. ELLIS MHAIRI CAMERON I create sculptural gold & diamond jewelry, inspired by Scottish heritage. Originally from the Highlands of Scotland, I grew up surrounded by the seascape and mountains; places filled with history that feel primal and beautifully raw. These early experiences formed my love for imperfect beauty, erosion, and began my research into topophilia*; the term for a bond with one's environment - a person's mental, emotional, and cognitive ties to a place.   In terms of my journey into jewelry, I initially moved from the Scottish Highlands to Glasgow in 2010 to take up a place on an art foundation course. I initially applied with an intent to study sculpture or painting, but discovered jewelry and fell in love with its potential. For me, jewelry encompassed a little bit of everything; I could collage and paint in design sketchbooks, before moving into small scale three-dimensional ''sculpture'', through creating jewelry. I then went on to learn technical skills through a BA in Jewelry & Silversmithing at The Glasgow School of Art, before moving to London in 2015, to study for a Masters in Jewelry Design at Central Saint Martins.  I launched my jewelry brand in 2018, with a desire to create jewelry inspired by my heritage, a belief in the beauty of imperfections, hand craftsmanship and to provide clients with jewelry to be handed down the generations. Today in 2025, my team and myself are based in a by appointment studio at The Goldsmiths Centre, London. Stockists such as Twist and Liberty London now sell my work internationally and I have been lucky enough to be featured in articles and photoshoots in publications such as VOGUE, Financial Times HTSI, Sunday Times Style & FORBES.  In terms of upcoming events, we show twice a year at Melee in NYC and in August we also travel for trunk shows at our stockist Esqueleto - this year we will be travelling to all four Esqueleto locations; NYC, LA, Mill Valley & Oakland.  I am currently working on a new collection of work, to launch August 2025. In March 2024, The Goldsmiths Company awarded me a Large Bursary Grant to continue my engraving studies, so I am really enjoying this process of bringing new techniques into my work. April - June is normally my design development time, so this is always an exciting time for research for me.  Armach Diamond Eternity Ring Armach Diamond Eternity Ring Armach Diamond Eternity Ring @ellismhairicameron

Janine reached out to me over three years ago, and I couldn’t be more grateful for the connection we’ve built since then. Her work is absolutely stunning, and her passion is truly inspiring. Over the years, we've bonded over our shared love of rings, cats, and so much more. I always enjoy following her adventures—she travels often, and I love "tagging along" virtually. Her Top Tip Tuesday  series is a gem (don’t miss it—it’s practically a public service), and of course, I’m constantly in awe of her beautiful cluster ombré rings and all the colorful pieces she creates. We’ve shared plenty of laughs, whether it’s over the occasional rude comments that show up on our pages, the frequent use of tweezers that comes with our age, or the delightful chaos our fur babies get into. It’s been a joy to support her, and I deeply appreciate the support she’s shown me in return. When my daughter traveled to South Africa last year, Janine kindly offered to welcome her for a studio visit—which, unfortunately, didn’t pan out due to timing. But next time, for sure! This self-proclaimed mermaid is fabulous, funny, and full of energy, and I’m so glad she’s sharing her story here today. JANINE BINNEMAN I have been an independent jewelry designer for nearly thirty years- I can’t believe it’s been that long! I am a qualified goldsmith and gemologist BUT it is a world that I fell into ALMOST by accident.   I took a gap year after school and ended up in Southern Italy as an au pair; I wanted to study Graphic Design and did my university portfolio whilst living in Italy- my inspiration was influenced by the opulence and colors of Italian Design- especially living on the Amalfi coast with its incredibly bright and beautiful Ceramics. The University loved my portfolio but decided I would be better suited to studying jewelry design and manufacture- and voilà! here I am!   I am obsessed with Colored gemstones and sharing the never-ending variety and array of these magical creations of Mother Nature is my passion – most of which I find myself from dealers or mines themselves all over the world. I will only source via transparent and ethical supply chains and if it’s a woman owned business, I get even more excited. One on my most treasured connections is with a group of Artisanal Women Miners in Kenya who I buy my Mermaid Sapphire rough from.   I am an inherently curious and excitable soul and being given an opportunity to explore and express someone’s story through the unique jewelry I create for them is both a passion and a privilege. My heart literally does star jumps. My design process leans into the connections I make with my clients, be it in an in-person design consultation or an online conversation and from there the magic begins – exploring the colors, the meanings, shapes and sizes of the stones that speak to the client. It’s an organic process and no two Janine Binneman multi-colored, cluster rings have ever (or will ever) be the same.   Some of the rings I create may include stones from a client’s inherited jewelry or I may source a specific focal gem for their cluster – either way, there is always a story to tell about each final piece. Importantly, the recipient will have been on the sourcing and design journey with me – I believe this is what makes each and every cluster so much more valuable to the wearer, they are deeply embedded in the process. I have clients choose stones according to their intentions, their children’s (or dogs) birth months, because ‘green is their good luck color’ and blue the color of their partner’s eyes. The important thing is that the story is theirs and theirs alone. @janinebinnemanjewellery

I first met Roy last year when he invited me to visit his stand at the Tranoï Show in Paris. It was a serendipitous moment—I was already planning a trip to the City of Lights to attend other events and catch up with friends. Roy is Scandinavian, like my father—the difference being that Roy is Danish while my dad is Swedish, but that’s just a fun detail since both languages are closely related, and largely mutually intelligible - add jewelry to that and we're a go! Back to my visit to Tranoi, as soon as I found Roy's stand, I was absolutely blown away by the stunning pieces he was showcasing. There’s such a difference between seeing jewelry online and experiencing it in person—picking it up, trying it on, feeling its weight and texture, and admiring the way it sparkles. I must say it was a huge treat to see his work up close and also talk to him about jewelry, his processes and inspirations. Roy’s work is completely my cup of tea. I’m drawn to imperfect perfection, rich textures, and bold, intricate statement pieces—and his designs capture all of that. His style strikes a rare balance of elegance, beauty, and strength. I honestly wish I could wear all of his rings—especially the chonky ones, which are my favorite! We’ve stayed in touch since that first meeting in Paris, and I’m so happy to have him share his story tod ay. Tack så mycket!   ROY KREJBERG - kundo jewels paris I am a graduate of the Danish Design Academy and have had a long career in fashion. Years ago, I relocated to Paris to take on the role of Design Director at the house of KENZO, where I worked closely with Kenzo Takada for a decade before launching my own fashion brand. Jewelry has always been a significant part of my creative expression alongside fashion, but it wasn't until 2022 that I decided to launch my jewelry brand. KUNDO JEWELS was born from my passion for ancient jewelry and the tribal art of African, Asian, and Indian subcultures, reinterpreted and designed for the modern world. Every piece is handcrafted, distinctive, and unique. The diamonds and other gemstones I use are natural and in their purest form ranging from raw and uncut to artisanally faceted without any chemical enhancements. My fascination with diamonds and other gemstones began years ago, during my first encounter with some old, exquisite royal jewels adorned with Golconda diamonds in India. The Golconda mines were the first known source of diamonds and remained an important site for many years. Some of the world's most famous diamonds, including the Koh-I-Noor and the Hope Diamond, were discovered there. It was the artistry of Indian craftsmen and cutters that laid the foundation for their enduring global allure. In my own work, I primarily use silver, occasionally accented with touches of gold. I find the silver color more beautiful, authentic, and understated than gold. I especially love how it tarnishes over time, taking on a deep, almost black hue that tells its own story. I'm not drawn to perfectly crafted, almost industrial-looking jewelry, it often lacks soul and a sense of history. I prefer pieces where you can see and feel the presence of the craftsmen's hands, with slight imperfections that add character. I divide my time between Paris and Jaipur, where I work closely with exceptionally skilled artisans in the atelier. These craftsmen use ancient techniques, many of which have long been forgotten, to bring each piece to life. I also spend a great deal of time researching and sourcing rare treasures, old and new, from gemstone and pearl dealers to incorporate into my designs. KUNDO JEWELS is today available in edgy, forward-thinking concept stores and jewelers around the world. @kundo_paris