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Sanaz and I connected over four years ago, and it’s been a true joy to witness her work receive the recognition it so deeply deserves. Originally from Iran, she has lived all around the globe before settling in Toronto—a city I hold dear—back in 2021. Her pieces are rooted in her cultural heritage, and her distinctive voice in jewelry is both delicate and powerful, architectural and sinuous. Her work has been shown around the world during jewelry weeks and has earned prestigious awards—testament to the strength and poetry she brings to each piece. I am so happy to share her story and some of her beautiful creations today. SANAZ DOOST I left my motherland all by myself when I was 19 to study abroad, explore the world, and, in many ways, find myself. Since then, I’ve lived across Southeast Asia, the Middle East, Europe, and now North America. Along the way, I studied in different countries and universities—each experience shaping how I see the world and how I create. Travel remains an essential part of who I am. I truly can’t imagine life without immersing myself in different cultures, traditions, and art forms—it continues to nourish my curiosity and design philosophy. My introduction to jewelry began with traditional craftsmanship. I first trained in the Grand Bazaar of Shiraz, learning fundamentals using old-world tools like the low-flame torch and foot-powered bellows. Later, while living in Istanbul for a year, I continued my goldsmithing studies in the city’s historic Grand Bazaar. I then completed my traditional training in Kuala Lumpur, working closely with Southeast Asian masters and refining my technique during the nearly decade I lived in Southeast Asia. After completing my Master of Philosophy of Art, I moved to Toronto to pursue an Advanced Diploma in Jewelry Arts—a three-year, studio-intensive program that gave me a strong technical foundation and space to develop my own voice as a designer. I also hold a Bachelor of Industrial Design, which continues to inform the structure, balance, and sculptural nature of my work. My designs blend cultural storytelling with contemporary form. Drawing from Eastern geometry, Silk Road symbolism, and poetic themes of light, transformation, and resilience, I create bold, architectural jewelry that resonates on both personal and universal levels. Blending East to West is who I am, and this dialogue of cultures is reflected in every piece. From the intricate lattice of the  Moshabak  collection to the symbolic elegance of the  Lotus  ring, each design is a reflection of heritage reimagined through a modern lens. I am deeply committed to producing my work locally in Toronto, supporting Canadian artisans—many of whom are women and immigrants like myself. Sustainability and ethical craftsmanship are at the heart of my practice. I prioritize sourcing natural, traceable gemstones and Canadian diamonds, and I strive to minimize waste through thoughtful design and production methods. Supporting local businesses and communities is not only a value but a responsibility I embrace fully. Looking ahead, I’m excited to grow a brand that honors these principles while expanding internationally. After showcasing at COUTURE in Las Vegas, I look forward to sharing jewelry that bridges cultures, craft, and identity with a global audience. @sanaz.doost

Born in London from Karoline Healy’s vision, H₂ERǴ is a jewelry brand that looks to the past and the future at once. Drawing on science, history, and the quiet beauty of natural forms, each piece is crafted in recycled silver and ethical materials — jewelry that shines with both meaning and care. When I first saw her work I was intrigued and mesmerized – the concept, the process and the research that goes into her work is simply amazing. Here is her story! H₂ERǴ - KAROLINE HEALY I learned the basics of jewelry during a semester of my degree course at Nottingham Trent University here in the UK. Quite a few years had passed before I decided to pick up the tools again. I then started practicing what I already learned and then developing new skills like stone settings, delft casting & wax work through trial and error, watching YouTube and tips from online blogs.  For years, I had been working as a materials researcher in the design & architecture industry, so I have always been inquisitive to uncovering the latest innovations, new technologies, looking to understand regenerative material flows, and sustainability.  I had become obsessed with New Scientist magazine, and science in general. I wanted a creative outlet to explore the ideas, concepts and forms found in science, nature and the universe. So I set up my jewelry brand H₂ERǴ, the aim was to use craft and making to explore future concepts.  My first collection was called Natural Basics. It was a speculation on a future where me might be able use biotechnologies and altered nature to grow metals into everyday day jewelry. I made a chain with links that are inspired by roots and hoop earrings by microscopic filamentous structures from mycelium called hyphae.  My work draws inspiration from a wide range of sources; natural growth formations like plant tendrils, animals and microorganisms, surrealism, antique German ironwork & ancient forged throwing knives My work always centers on the materials, so looking at what is next.  Aside from jewelry collection and bespoke commissions, I have been working on my ongoing research project Future Metals.  This is a long-term investigation where I my goal is to make the most sustainable gold ring to exist. I am exploring regenerative & biological methods, bio mining, to recover precious metals for jewelry. In collaboration with Phyona I made a ring using metals mined by plants, the process is called Phytomining. Phyona are biology start up from the UK who are using plants to mine metals from contaminated soils and landscapes. My ring contains a rich mix of metals like silver, titanium, lead, nickel, copper, and zinc, which was recovered from the polluted soils of historical mining site in Barnsley. The plants suck up metals from the soil, through their roots into the leaves and stems. The plants are then harvested and the metallic compounds recovered. These miners are native species of plants like foxgloves, thistles and grasses. In addition, beyond this I am looking to collaborate with other scientists working with bacteria to recover precious metals from local waste streams.   @h2erg_jewellery

I first connected with Jeremy back in 2021, when I discovered his truly unique and beautiful art. As a lifelong bookworm and ring lover, his technique immediately spoke to me—after all, it embodied two of my greatest passions: books and rings. Since then, I’ve shared his incredible work many times. He took part in my Questionnaire project in 2022, and most recently, when I shared the most-liked rings from the past five years to celebrate my page’s anniversary, one of his creations reached over 2.9 million views (the ring shown above) It is very much on my bucket list to one day commission a ring from Jeremy, made from my favorite book in the world: Contact , by Carl Sagan. And although rings are my thing, Jeremy also creates the most unique earrings, bracelets, pendants, necklaces, brooches and sculptures. You can see it all on his website (by clicking on his name below). JEREMY MAY I have been fascinated by paper for nearly 20 years. To me, paper holds a unique quality—not only does it carry narrative and knowledge, but it can also be transformed into a material that renders these narratives wearable. I work predominantly with secondhand books as my material source. The book, both as a used object and as a bearer of stories, is my direct inspiration and a central element in how I create one-off jewels. I am endlessly intrigued by the individuality of each used book, the traces of its past readers—the folded pages, makeshift bookmarks, notes in the margins. From the beginning, I have sought to create unique pieces. Each book is an individual object, and therefore each jewel must be equally individual. After reading a book, I choose a direct quote that captures its essence for me. I then envision its form, colour, and appearance, sketching the idea on paper before I begin sculpting the book itself. In this way, the book becomes ‘unreadable,’ yet its story remains intact, carried within the jewel. Each jewel is impossible to replicate. Its beauty runs deep within the piece: text and image pass all the way through the material, revealed only at the surface. Over the years, I have had the honor of exhibiting my work in prestigious venues around the world, with several pieces now part of museum collections. I created my very first paper ring in September 2007, and by January 2009 my literary jewels were being introduced to the public. What began as a personal exploration has since transformed paper into a medium that aspires to last and to bring joy, color, and love to all who value sustainability. Today, I continue to work on private commissions while developing themed collections of jewels that are presented in exhibitions worldwide. I live and work in London, always pushing forward with each new piece, driven by a thirst for discovery, uniqueness, and the sublime. @jeremymayjewels

chasing the dream in ring heaven today i share our first feature called ARTIST'S SPOTLIGHT where we invite an artist to tell us about their path within the jewelry trade. VERONICA CARRILLO Veronica reached out to me here, on my website, and I can’t tell you how happy that made me. I’ve been putting in the effort to keep my site updated, and moments like these remind me why it’s all worth it. After our initial connection, I checked out her work on Instagram and was immediately captivated. Her creativity, skill, and unique perspective were undeniable. I knew right away that I wanted to learn more about her journey and share it with all of you. We connected via DMs, and as we exchanged stories, I was struck by how incredible her path has been. Veronica’s work isn’t just visually stunning—it carries depth, emotion, and a sense of personal evolution. Her journey into her craft wasn’t linear; it was shaped by passion, persistence, and a willingness to embrace change. She shared how she first started, the challenges she faced, and the moments that reaffirmed she was on the right path. There were setbacks, of course—every creative journey has them. But what stood out to me was her resilience. Instead of seeing obstacles as roadblocks, she treated them as stepping stones, refining her skills and vision along the way. What I find most inspiring about Veronica’s story is the way she channels her experiences into her work. Every piece she creates tells a story, reflecting her growth, her emotions, and the lessons she’s learned. It’s a reminder that art, in any form, is deeply personal yet universally resonant. I feel so fortunate to have connected with Veronica, and I hope her journey inspires you as much as it did me. If you haven’t already, I highly recommend checking out her work. and thank you, veronica, for sharing a bit about yourself and your journey! looking forward to what's to come! here is veronica's story, in her own words: "I come from a Latino family where my mom always dreamed of giving me the opportunities she didn’t have because of the challenges her family faced. She taught me the value of education and pushed me to pursue it with determination. Fortunately, I had a natural affinity for the sciences, which made it clear early on that I would pursue a career in that field. At the same time, creativity has always been a huge part of who I am. My first creative endeavors were simple but meaningful—making beaded jewelry, decorated headbands, and hair accessories for friends and family, who quickly became my first “clients.” This initial spark of creativity grew into a true passion, and I wanted to formally learn the craft of jewelry-making. My earliest teachers were YouTube videos and basic tools I picked up at hardware stores. After earning my degree in Laboratory Sciences, I began taking night classes to dive deeper into the craft, exploring metalsmithing, wax carving and casting, stone setting, and eventually CAD design. For the past six years, I’ve worked full-time as a fertility scientist—an incredibly rewarding and challenging career. But no matter how busy life gets, jewelry design has always been my creative escape. Now, as a mom to my daughter Isabella, my priorities have shifted. My goal is to find a balance between spending quality time with her and pursuing my passion. I often say I’m a scientist by day and a jewelry designer by night. Balancing these two worlds can be demanding. My days begin at 4:30 a.m. for work, include trips to the Diamond District, and end late in the evening, cherishing time with Isabella before bed. Despite the challenges, I’m taking a leap of faith this year to shift my focus entirely to jewelry design. My vision is to create bold, innovative pieces that push boundaries and resonate with a wide audience, while also gaining the flexibility to spend more time with my daughter. It’s a big step, but I’m excited to embrace this new chapter and see where it takes me." @veronicacarrillojewelry

Victor reached out to me on Instagram a while back to share his work, and I was immediately captivated by his style. We started chatting —first in English—but after noticing his last name, I asked where he was from. It was no surprise to learn he’s also from Latin America, specifically Colombia! From there, our conversation naturally shifted to Spanish, and everything just flowed. I knew I had to share his story—an artist who feels deeply and channels his emotions through his work, inspired by the Portuguese literary classics he discovered after moving to Portugal. Victor's passion for drawing is at the heart of his creative process, bringing his pieces to life. He also collaborates with another talented Colombian artist, designer Carolina Salazar —be sure to check out her Instagram for stunning textile prints and patterns! VICTOR TOMIC I come from Colombia and I have been in the jewelry world for many years. Currently I am living in Portugal, where I am working towards reopening my own space in Colares (a whimsical villa near Lisbon, where the sea and the mountains come together – the perfect setting for an artist). Yet, beyond craftsmanship, my work is about communication. It is a language of emotions, thoughts, and reflections on society—an intimate expression of what words often fail to capture. Rather than writing, I have learned to shape my ideas in silver and gold, allowing metal to speak where language falls short. One might think writing would be easier, but I believe meaning is often best understood through beauty—through form, texture, and symbolism—rather than through endless words. Jewelry, for me, is more than adornment. It is a dialogue, a simple yet profound conversation about life, about us. I have also immersed myself in the works of Luís de Camões, the father of the Portuguese language. Before truly knowing his work, I instinctively chose three of his poems. Now, I see them as three diamonds. As I read further, I realized that Camões’ life was a relentless pursuit—intense, passionate, yet without a clear destination. That is why the ring I designed takes the shape of a star, a sun. It represents the unattainable, that distant light we all look up to with both madness and hope. But by wearing it, we remind ourselves that this light must also be found within. Camões: passion to the core. A longing for peace within. A living poem—where his story ends, and ours begins. Not perfect, just human. Not a brand, just myself. Not mass-produced, just one at a time. No customers, only friends. Not fear, only trust. Not luxury, just life.No illusions, only truth. No envy, only love. No secrets—everything to share! @victorstomic

here are the winners of the BAGUE EXTRAORDINAIRE AWARD , chosen by me among the over 130 artists/designers participating in the Cluster Jewellery Fair, which took place in London in December 2024. it was not an easy task and I must say that there were inumerous incredible rings and so much more! i will soon share interviews with the three artists on Instagram, so stay tuned. GRACE MIELL CARMEN VOLLEBERGH SANDRINE DIODATI

I was so honored by eleonora's invitation to create an award for this incredible jewelry show, with over 130 artists from all over the world. I went to the opening on friday at Protein Studios, december 13 (!!) and it was super fun! i'll share the winners on a special post! meanwhile, here are some of the pieces i really enjoyed at Cluster Jewellery: by portal jewellery by nicole albagli by the polska traveller by the polska traveller by sheila westera by sheila westera by weme jewelry by nana watanabe

i have admired his work for a long time and it was simply amazing to visit Kasun's shop and atelier and to see all his pieces first-hand! despite the super rainy day, enzo and I made it and we were enchanted by all his unique, beautiful and exquisite pieces! kasun wearing kasun

an amazing photo from the epic night that was Auric! photo taken by emefa cole, featuring shola, jet, anna, enzo peres, eliane, castro and guy. on thursday i visited the Goldsmiths' Centre at the invitation of clio saskia and also had the opportunity to meet and see other artists' work too. clio is such a beautiful and talented young woman who didn't start out as a jeweller but lucky for us, this is the path she chose. it was such a treat to see her atelier, chat with her about her interests, references, her mine in Australia (she mines her own stones, how cool and utterly ethical is that! i also met with the incredibly talented ellis mhairi cameron whose work is sublime and utterly enchanting. she has gone deep into her scottish heritage and developed magic in her rings and all pieces she creates. a determined artist, she is as unique as her work. next i sat down at the centre's cafeteria to chat with ana thompson and genevieve schwartz and they were the sweetest, telling me all about their inspirations, their references and they showed me the most beautiful pieces too! it was so wonderful! ana thompson ana thompson genevieve schwartz genevieve schwartz

it was a indeed a feast for the eyes - a very quick trip but filled with gorgeous jewelry - mostly rings, of course - and so many incredible artists! it was the best! first stop was wednesday night in a beautiful house in notting hill. the private viewing with the talented jet mcquiston , emefa cole , shola branson and castro smith . here are some of the pieces i tried on and dreamed about! first up is jet - her work is perfection,filled with details and special symbolism all around: next i tried on emefa's chunky and heavy and marvellous rings! they are a direct reflection of the forces of nature, her heritage and culture: then came the time to try on shola's magical and perfect rings: completely precious and the stones are to die for!! and finally castro's epic carved rings, each one more amazing than the other - he is such a marvellous character and it was amazing to talk to him! there's lot more to share and i'll be doing this over the next few days! bisous!